Tuesday, April 1, 2008
Tongues Untied Part II
I think that 'Tongues Untied' is a great testament to the queer black male. The way this piece was created reads to me as a series of short delicate plays tired together by spoken word and an intensity that each viewer cannot avoid (for example the super close ups). I think it is perhaps the rhythm and movement of the bodies their relationship to the camera that makes me feel as though i am watching a dance piece. I like the way that Riggs is able to bridge the new civil rights movement to the new LGBT movement, specifically within the lens of the queer BLACK male. I appreciate the respect and careful way he put together found footage from the civil rights era marches and footage from what seems to be a gay pride parade, revolutionary movements. The way the two social movements coincide, and the way he bridged the footage together for me signified the importance of intersectional identities--Black and Queer, man "Brother to brother; brother to brother". I also liked the way spoken word was used in transition periods; for example when the dancing body transitioned to a man on the screen speaking to it. How important it is that words were there to help the feel and slow of the piece. I also appreciate the way the interviews were set up so that the piece felt like more of a collaborative effort; on a subject that often goes unspoken or unheard of.
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1 comment:
Jova,
Tongues Untied is one of my all time favorite documentaries. It’s mix of word, poetics, dance and content is wonderful. Riggs is so careful in handling the subject as you mentioned. When I first saw the film in 1989, Marlon Riggs was present. He was amazed that the film resonated for non-queer viewers. He was very humble and answered all questions. His film has a universality and humanity that makes it powerful for audiences.
Thanks for your entry.
Simin
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